Movie Reviews

By Bob Garver   As much as I enjoyed the fun, exciting trailers for “Argylle” that made excellent use of the film’s eclectic cast, there was one element that told me the movie was in serious trouble. Amongst shots of the cat belonging to spy novelist Elly Conway (Bryce Dallas Howard), onscreen text insisted that,…

By Bob Garver Not every week brings a shiny new blockbuster for me to review. Sometimes I need to look to the holdovers. Sadly, I’m not referring to “The Holdovers,” one of the best films of 2023 that you should definitely check out if it’s playing in your area. I’m referring to whichever movie did…

By Bob Garver Last week I wrote about “Mean Girls” and the problem of having seen a version of the movie before, which made it too familiar and predictable. I meant it in a very literal sense – there was a 2004 movie called “Mean Girls,” written by Tina Fey, with basically the same characters…

By Bob Garver               Of all the pop culture institutions to be cancelled, ended, or otherwise shut down by the pandemic in 2020, the permanent closure of the “Mean Girls” Broadway musical was perhaps the one that disappointed me the most. I’m not sure why it wasn’t brought back post-pandemic – ticket sales had…

By Bob Garver               For the first time since the pandemic, January means the release of a terrible horror movie in “Night Swim.” Actually, the pandemic only really affected January horror in 2021. It’s just that with January 2022 bringing us that nifty “Scream” reboot and January 2023 giving the world the instantly-iconic “M3GAN,”…

By Bob Garver               With the holiday season coming to an end, I can only talk about what “made” a movie like “Migration” a relative hit, as opposed to talking about its future. And that reason is that it was a “compromise” movie for families looking for a way to kill time together during…

By Bob Garver               Like many critics, I despised the 2019 CGI version of “The Lion King.” The new animation was ugly and the rehashing of the story from the 1994 classic without many changes made the whole thing seem unnecessary. But unlike many critics, I’m not ready to throw prequel “Mufasa: The Lion…

By Bob Garver               2023 has not been good for the DC Extended Universe. The year will end without “The Flash” as one of the top 20 highest money-earners at the domestic box office. “Blue Beetle” will finish out of the top 30, “Shazam! Fury of the Gods” out of the top 40. Newest…

By Bob Garver               A bit of autobiography here at the start: I grew up a stone’s throw from Hershey, Pennsylvania and my current full-time employment comes from Hershey’s Chocolate World in Times Square. Chocolate, its production, and its sales are all a major part of my identity. So I view media related to…

By Bob Garver NOTE: This Japanese film is available in both “Subbed” and “Dubbed” versions. This review will focus on the “Dubbed” version with the English-language voice cast.    Anime legend Hayao Miyazaki has come out of retirement for “The Boy and the Heron,” a sprawling fantasy with semiautobiographical elements. Surprisingly, it’s the more grounded…

By Bob Garver   When the writers’ and actors’ strikes of 2023 forced several movies off the fall schedule, it was a pair of musicians that came to the rescue with two of the most heavily-promoted concert movies of all time. “Taylor Swift: The Eras Tour” got the box office through a rough patch back…

By Bob Garver Ridley Scott’s “Napoleon” did rather well for itself over Thanksgiving weekend, opening in the #2 position at the domestic box office behind the second weekend of the new “Hunger Games.” A debut at #2 behind a not-particularly-beloved returning champion may not sound impressive, but my prediction was that it wouldn’t even finish…

By Bob Garver      The fall from glory of the Marvel Cinematic Universe continues with “The Marvels.” This is not to say that this movie is the “worst” the MCU has ever put out (for one thing, there’s no M.O.D.O.K. in sight), but the franchise has seen better days, both commercially and creatively. I think the…

By Bob Garver               Last month, I wrote about “The Exorcist: Believer” actually working pretty well as a taut kidnapping thriller until the requisite demon possession stuff kicked in. Now comes “Five Nights at Freddy’s,” which has the opposite problem: the kidnapping-thriller elements get in the way of the supernatural stuff. I think the…